New York · Metropolitan Museum of Art · Gallery 964

Five Vermeers under one roof, and a self-portrait hidden beneath one of them

By most counts, only about thirty Vermeer paintings survive anywhere in the world. Five of them hang together in this single room of the Metropolitan Museum — the largest concentration of his work on view anywhere — and one of the canvases hides, beneath its final layer, a detail the museum only discovered in 2023.

Rooms and artworks checked against official museum records

A Maid Asleep, painting by Johannes Vermeer, at the Metropolitan Museum of Art
Johannes Vermeer, A Maid Asleep (v. 1656-1657)Wikimedia Commons, Domaine public (CC0, Metropolitan Museum of Art)

The Dutch Golden Age in a single gallery

This gallery at the Metropolitan Museum brings together the great names of seventeenth-century Dutch painting: Rembrandt, Frans Hals, Pieter de Hooch, Nicolaes Maes, Jan Steen — and five paintings by Johannes Vermeer, more than any other museum in the world holds. By most counts, only about thirty Vermeer paintings have survived the centuries; gathering five of them in a single room is a rarity no other institution can match.

1. The first Vermeer ever to reach America, bought for $800

Young Woman with a Water Pitcher, painted around 1662, was bought in Paris in 1887 by the American collector Henry Gurdon Marquand for around $800 — a modest sum, at a time when Vermeer remained a largely forgotten painter, rediscovered only a few decades earlier by the French critic Théophile Thoré-Bürger. Marquand brought the painting back to the United States: it was the first Vermeer to enter an American public collection, before joining the Metropolitan Museum's holdings with the rest of his bequest.

2. A man at his easel, painted in, then painted out

A Maid Asleep, painted around 1656-1657, shows a young woman dozing at a table, in a room opening onto a hallway. In March 2023, researchers from the Metropolitan Museum presented the results of an X-ray fluorescence analysis at a Rijksmuseum symposium: beneath the painting's final layer, in the space of the hallway, there had originally been a man standing at an easel, one arm raised holding a brush — probably Vermeer himself, depicting himself at work, before he painted over the figure entirely.

This change of mind is invisible in any reproduction of the painting as it hangs today: only the X-ray made it possible to reconstruct.

How much time

Five paintings to compare one by one, in a room that also holds some of the museum's finest Rembrandts — don't limit yourself to Vermeer.

  • The five Vermeers — 20 minutes.
  • The rest of the gallery (Rembrandt, Hals, de Hooch) — 15 minutes.

Sources and verification

Checked against the official notices of the Metropolitan Museum of Art (metmuseum.org) and cross-checked with Wikipedia EN/FR.

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