New York · Metropolitan Museum of Art · Gallery 825

A Van Gogh self-portrait painted over a peasant study he was too poor to discard

Short of money for a fresh canvas, Van Gogh sometimes painted his own face over an older study. This room pairs that kind of resourcefulness with Gauguin and Seurat's final preparatory study for his most famous painting — otherwise on view at the Art Institute of Chicago.

Rooms and artworks checked against official museum records

Self-Portrait with a Straw Hat, painting by Vincent van Gogh, at the Metropolitan Museum of Art
Vincent van Gogh, Autoportrait au chapeau de paille (1887)Wikimedia Commons, Domaine public

Three pillars of Post-Impressionism in a single room

This gallery brings together Vincent van Gogh, Paul Gauguin and Georges Seurat — three painters who, in the late 1880s, each tried in his own way to move beyond Impressionism: through pure color and emotionally charged brushwork in Van Gogh, through Symbolist flat color and Tahitian tones in Gauguin, through the scientific method of pointillism in Seurat.

1. A self-portrait painted over an already-used canvas

Self-Portrait with a Straw Hat, painted by Van Gogh in 1887 during his time in Paris, is painted on the front of a canvas whose reverse carries an earlier picture, The Potato Peeler, made in 1885 during his Dutch period in Nuenen. Short of money, Van Gogh reused this already-painted canvas rather than buying a new one — a move found on several of the roughly twenty self-portraits painted during his two years in Paris, where he used his own face as a model for lack of money to pay anyone else.

In the same room, the Sunflowers painted in Paris date from the same period, before Van Gogh developed the more famous version of this motif the following year, in Arles.

2. The final study for a painting on view elsewhere

Georges Seurat painted dozens of studies before completing A Sunday on La Grande Jatte, now held at the Art Institute of Chicago. The final study for La Grande Jatte, on view in this room at the Metropolitan Museum, is the last preparatory step before the finished version — a rare chance to see Seurat's process without having to compare two different museums.

Nearby, Gauguin's Tahitian canvases, such as Ia Orana Maria, show the painter after his final departure from Europe in 1891, blending Christian iconography with Polynesian motifs in a palette far removed from Van Gogh's or Seurat's.

How much time

Look for the mention of the reverse on the label of Van Gogh's self-portrait — the hidden painting behind it can't be seen, but knowing it's there changes how you read the work.

  • Van Gogh (self-portrait and sunflowers) — 12 minutes.
  • Seurat and Gauguin — 12 minutes.

Sources and verification

Checked against the official notices of the Metropolitan Museum of Art (metmuseum.org) and cross-checked with Wikipedia EN/FR.

Displays and room openings can change. Check the Metropolitan Museum of Art website on the day of your visit before following a route.

Continue your visit

Metropolitan Museum of Art, New York

Listen to the commentary in the gallery

This route gives you a thread to follow. In front of an artwork, CulturAll adds the audio commentary: photograph the work or its label, listen, then ask your questions.