Paris · Petit Palais · Room 05

The Courbet painting banned from public view for over a century

From an unknown young man barely accepted at the Salon to a painting so scandalous it stayed banned from public display for over a century: this Petit Palais room tells the whole of Gustave Courbet's career through two works that could not be more different.

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Self-Portrait with a Black Dog, painting by Gustave Courbet, at the Petit Palais
Gustave Courbet, Autoportrait dit Courbet au chien noir (1842-1844)Wikimedia Commons, Domaine public (CC0, Petit Palais)

An entire room devoted to Gustave Courbet

This room brings together around a dozen paintings by Gustave Courbet, from youthful self-portraits to the bolder scenes of his mature years — a large enough group to trace, within a single room, the evolution of a painter who built his career in constant opposition to the official art of his time.

1. A young man and his dog, the only painting accepted out of three

The Self-Portrait with a Black Dog, painted in 1842 and reworked in 1844, is one of Courbet's very first paintings accepted at the official Paris Salon, which opened in March 1844 at the Louvre — of three canvases submitted by the young, then almost unknown painter, only this one was selected by the jury, under the neutral title Portrait of the Author. Courbet shows himself seated in the grass, a black dog beside him, in a pose already marked by the self-assurance that would define his entire career.

2. A painting banned from public display for over a century

Le Sommeil (The Sleepers), painted in 1866, shows two nude women asleep, entwined in a rumpled bed — a broken pearl necklace and a hairpin, left on the sheet, leave little doubt about the scene's nature. The painting was commissioned by the Ottoman diplomat Halil Şerif Pasha, known as Khalil Bey, a Paris-based collector who also owned Courbet's other scandalous painting, The Origin of the World.

When a dealer tried to exhibit it in 1872, Le Sommeil became the subject of a police report for indecency. The painting was not permitted to be shown publicly again until 1988 — more than a century after it was painted.

How much time

Compare the confident pose of the 1844 young Courbet to the unabashed boldness of the mature Courbet: it's the same self-assurance, applied to two very different registers.

  • Self-Portrait with a Black Dog — 8 minutes.
  • Le Sommeil and the rest of the room — 12 minutes.

Sources and verification

Checked against the official notices of the Petit Palais (petitpalais.paris.fr / parismuseescollections.paris.fr) and cross-checked with Wikipedia EN/FR.

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