Oxford · Ashmolean Museum · Room 43

Uccello's last known work, next to a painting no one can quite attribute

A marriage-chest panel painted at night, and a Madonna nobody quite agrees on the authorship of: this room brings together two puzzles of Italian Renaissance painting, one settled by sheer force of perspective, the other still open.

Rooms and artworks checked against official museum records

The Italian Renaissance in one Ashmolean room

This room brings together Italian paintings from the fifteenth and early sixteenth centuries, from Paolo Uccello to Titian by way of Giovanni Bellini — a collection that lets you trace, in a few steps, the evolution of painting in Tuscany, Umbria and the Veneto over nearly a century.

1. A night hunting scene, the painter's last known work

The Hunt in the Forest, painted by Paolo Uccello around 1470, shows a night hunt organized with almost obsessive perspectival rigor: hunters, horses and dogs shrink methodically toward a single vanishing point, deep in a dark forest lit by an almost unreal light. The elongated panel probably belonged to a marriage chest, or a set of paneling meant to be viewed at shoulder height rather than hung high on a wall.

It is Uccello's last known work; he died in 1475, a painter who remained fascinated by linear perspective his whole life, to the point that his contemporaries already described him as obsessed with this emerging discipline.

2. A Madonna still contested by three painters

The Virgin and Child with a View of Venice, known as the "Tallard Madonna," painted between 1506 and 1513, shows the Virgin and Child before a hazy landscape in which the campanile of St Mark's Square in Venice can be made out. Long attributed to Giorgione, the painting now carries a more cautious attribution, shared between Giorgione himself, his contemporary Sebastiano del Piombo, and the Venetian painter Giovanni Cariani — a debate still open, and a good illustration of how hard early sixteenth-century Venetian workshops make it to tell a master's hand from that of his close collaborators.

How much time

Two paintings, two different ways of questioning what we truly know about an old work of art — its construction for Uccello, its authorship for the Tallard Madonna.

  • The Hunt in the Forest (Uccello) — 8 minutes.
  • The Tallard Madonna — 6 minutes.

Sources and verification

Checked against the official notices of the Ashmolean Museum (ashmolean.org) and cross-checked with Wikipedia EN/FR.

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Listen to the commentary in the gallery

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