The son of a wealthy mill owner, Constable persuaded his family to let him pursue painting and entered the Royal Academy Schools in 1799. His early submissions to the Academy fared poorly — he received no votes at all in an 1814 election — because landscape ranked far below history painting in academic esteem. He kept returning to the same stretch of the Stour valley around East Bergholt, painting full-scale oil sketches outdoors to capture weather and light before finishing larger canvases in the studio.
He was finally elected a full Royal Academician in 1829, by then in his fifties, but sold few paintings in Britain during his lifetime — his reputation took off first in France, where his work influenced Delacroix and later the Barbizon painters. He died in London in 1837.
Constable paintings on display, museum by museum
The Art Institute of Chicago
- Stoke-by-Nayland — Gallery 220 (1836)
Ashmolean Museum, Oxford
- Study of Clouds — Gallery 51 (1822)
- Summer Sunset (1840 - 1850)
- The Vale of Dedham from Langham — Gallery 51 (1812)
- View across the Thames at Twickenham (1840 - 1850)
- Water Meadows near Salisbury — Gallery 51 (1829)
- West Lodge, East Bergholt — Gallery 51 (1811 - 1815)
- Willy Lott's House from the Stour (The Valley Farm) — Gallery 63 (1816 - 1818)
Cleveland Museum of Art
- Branch Hill Pond, Hampstead — 203A British Painting and Decorative Arts (1828)
- Hampstead Heath, Looking Toward Harrow — 203B British Painting and Decorative Arts (c. 1821)
Fitzwilliam Museum, Cambridge
- Hampstead Heath — Gallery 5 (1820)
The Louvre
- La baie de Weymouth à l'approche de l'orage — Salle 713 (1e quart du XIXe siècle (1818 - 1819))
- Vallon à Helmingham [Helmingham Dell] — Salle 713 (1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823))
- Vue de Hampstead Heath, effet d’orage ou L’Étang de Branch Hill à Hampstead (1e quart du XIXe siècle (vers 1822))
- Vue de Salisbury — Salle 713 (1e quart du XIXe siècle (1820))
The Metropolitan Museum of Art, New York
- Hampstead Heath with Bathers — 808 (ca. 1821–22)
- Salisbury Cathedral from the Bishop's Grounds — 808 (ca. 1825)
- Stoke-by-Nayland — 808 (ca. 1810–11)
National Galleries of Scotland, Edinburgh
- Laura Moubray (born 1788) — National (On Display) (1808)
- On the Stour (Reverse: Study of Cows) — National (On Display) (About 1830)
The National Gallery, London
- Cenotaph to the Memory of Sir Joshua Reynolds — Room 40 (1833-6)
- Stratford Mill — Room 40 (1820)
- The Cornfield — Room 40 (1826)
National Gallery of Art, Washington
- Salisbury Cathedral from Lower Marsh Close — M-057 (1820)
- The White Horse — M-057 (1818-1819)
- Wivenhoe Park, Essex — M-057 (1816)
Tate Britain, London
- A Boat Passing a Lock — Turner & Constable Rivals & Originals (1826 exhibited 1829)
- A Cottage at East Bergholt — Turner & Constable Rivals & Originals (c.1836)
- A Windmill near Brighton — Constable ‘Six Footers’ (Room 38) (1824)
- A sketch of East Bergholt from East Bergholt House — Turner & Constable Rivals & Originals (1811)
- Boat Building near Flatford Mill — Turner & Constable Rivals & Originals (1815)
- Bow Fell, Cumberland — Turner & Constable Rivals & Originals (1807)
- Branch Hill Pond, Hampstead Heath, with a Boy Sitting on a Bank — Constable ‘Six Footers’ (Room 38) (c.1825)
- Chain Pier, Brighton — Constable ‘Six Footers’ (Room 38) (1826–7)
- Cloud Study — Turner & Constable Rivals & Originals (1821–2)
- Cloud Study, Hampstead, Tree at Right — Turner & Constable Rivals & Originals (11 September 1821)
- Dedham Lock and Mill — Turner & Constable Rivals & Originals (exhibited 1818)
- Dedham Vale — Turner & Constable Rivals & Originals (1810)
- Dedham Vale — Turner & Constable Rivals & Originals (exhibited 1828)
- Dedham Vale from the Coombs — Turner & Constable Rivals & Originals (1802)
- Edge of a Heath by Moonlight — Turner & Constable Rivals & Originals (1810)
- Flailing Turnip Heads, East Bergholt — Turner & Constable Rivals & Originals (1812–15)
- Flatford Mill (‘Scene on a Navigable River’) — Constable ‘Six Footers’ (Room 38) (1816–7)
- Flatford Mill from the Lock — Turner & Constable Rivals & Originals (1810)
- Flatford Mill from the Lock — Turner & Constable Rivals & Originals (exhibited 1812)
- Hadleigh Castle, The Mouth of the Thames – Morning after a Stormy Night — Turner & Constable Rivals & Originals (exhibited 1829)
- On the River Stour — Turner & Constable Rivals & Originals (c.1834–7)
- Path Towards Stratford St Mary — Turner & Constable Rivals & Originals (1816)
- Rainstorm over the Sea — Turner & Constable Rivals & Originals (c.1824–8)
- Salisbury Cathedral from the Bishop’s Grounds — Turner & Constable Rivals & Originals (exhibited 1823)
- Salisbury Cathedral from the Meadows — Constable ‘Six Footers’ (Room 38) (?1829)
- Salisbury Cathedral from the Meadows — Constable ‘Six Footers’ (Room 38) (exhibited 1831)
- Scene of Flatford Mill — Turner & Constable Rivals & Originals (1814)
- Seascape Study: Boat and Stormy Sky — Turner & Constable Rivals & Originals (23 July 1828)
- Sir Richard Steele’s Cottage, Hampstead — Turner & Constable Rivals & Originals (exhibited 1832)
- Somerset House — Turner & Constable Rivals & Originals (c.1819)
- Stoke-by-Nayland — Turner & Constable Rivals & Originals (c.1835–7)
- Stour Valley and Dedham Church — Turner & Constable Rivals & Originals (c.1815)
- Stratford Mill — Turner & Constable Rivals & Originals (exhibited 1820)
- Study of Clouds over a Landscape — Turner & Constable Rivals & Originals (1821–2)
- The Glebe Farm — Constable ‘Six Footers’ (Room 38) (c.1830)
- The Leaping Horse — Turner & Constable Rivals & Originals (exhibited 1825)
- The Mill Stream — Turner & Constable Rivals & Originals (c.1810–14)
- The Opening of Waterloo Bridge, seen from Whitehall Stairs, London, 18 June 1817 — Turner & Constable Rivals & Originals (c.1819–20)
- The Stour — Turner & Constable Rivals & Originals (1810)
- The Valley of the Stour at Sunset — Turner & Constable Rivals & Originals (1812)
- The Wheatfield — Turner & Constable Rivals & Originals (exhibited 1816)
- The White Horse — Turner & Constable Rivals & Originals (exhibited 1819)
- View of Dedham from the Lane Leading from East Bergholt Church to Flatford — Turner & Constable Rivals & Originals (c.1809–10)
- View on the Stour near Dedham — Turner & Constable Rivals & Originals (exhibited 1822)
- View toward the Rectory, East Bergholt — Turner & Constable Rivals & Originals (1810)
- Watermeadows at Salisbury — Turner & Constable Rivals & Originals (1820)
- Willy Lott’s House — Turner & Constable Rivals & Originals (1816)
Rooms and display status checked against each museum’s own collection database.
Listen to the commentary in the gallery
This list tells you where to look. In front of the actual painting, CulturAll adds the audio commentary: photograph the work or its label, listen, then ask your questions.