Art Institute of Chicago · Gallery 262

Nighthawks, painted during the Second World War blackouts

Three strangers and a counterman, frozen in the harsh light of a late-night diner: American art's most recognizable painting was made in the darkness of the blackouts imposed after Pearl Harbor, and shares this room with an equally unsettling painting about aging.

Rooms and artworks checked against official museum records

An anxious America, 1930s to 1940s

This room brings together American paintings made between the Great Depression and the Second World War, a period when several artists moved away from the optimism of American Scene painting toward a darker, at times almost hallucinatory, view of urban loneliness and the passage of time.

1. A blackout turned into a painting

Nighthawks, finished by Edward Hopper on 21 January 1942, shows three late customers in a neon-lit diner at the corner of two empty streets. Hopper said he was inspired by a real restaurant on Greenwich Avenue in New York, but the painting's atmosphere owes much to the months following the attack on Pearl Harbor in December 1941: Hopper, struck at the time by blackout drills and the near-total darkness settling over the city's streets at night, carried that unusual darkness into the composition.

The red-haired woman in the painting was modeled by Josephine Nivison Hopper, the painter's wife and a painter herself, who kept a shared journal with him recording the progress of each canvas — which is how the exact completion date of the painting is known. The Art Institute of Chicago bought Nighthawks on 13 May 1942, for $3,000.

2. A pitiless mirror on the passage of time

Hung in the same room, Ivan Albright's Into the World There Came a Soul Called Ida, painted between 1929 and 1930, shows an aging woman facing her mirror, rendered with an almost unbearable attention to detail: every wrinkle, every age spot painted with the same clinical care. Where Hopper offers silent solitude, Albright chooses excess and accumulation to evoke the same subject — time wearing down bodies and lives.

How much time

Two very different visions of mid-century American unease, worth looking at one after the other.

  • Nighthawks (Hopper) — 10 minutes.
  • Into the World There Came a Soul Called Ida (Albright) — 8 minutes.

Sources and verification

Checked against the official notices of the Art Institute of Chicago (artic.edu) and cross-checked with Wikipedia EN/FR.

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