Cézanne grew up in Aix-en-Provence alongside his childhood friend Émile Zola, and showed with the Impressionist group in its first and third exhibitions before pulling away from the movement’s momentary effects toward something more constructed. He returned obsessively to the same motifs — apples and drapery on a studio table, card players, and above all Mont Sainte-Victoire, painted dozens of times from the same Provençal hills.
For most of his career he was met with indifference or ridicule, and worked largely in isolation around Aix. Recognition came late: a major Paris retrospective the year after his death, in 1907, revealed his late work to a generation of younger painters, Picasso and Braque included, who took his flattened, faceted treatment of form as the starting point for Cubism. He died in Aix-en-Provence in 1906.
Cézanne paintings on display, museum by museum
The Art Institute of Chicago
- Auvers, Panoramic View — Gallery 248 (1873–75)
- Madame Cezanne in a Yellow Chair — Gallery 248 (1888–90)
- Standing Bather, Seen from the Back — Gallery 248 (1879-82)
- The Basket of Apples — Gallery 248 (c. 1893)
- The Bathers — Gallery 248 (1899-1904)
- The Bay of Marseille, Seen from L'Estaque — Gallery 248 (c. 1885)
- The Plate of Apples — Gallery 248 (c. 1877)
- The Vase of Tulips — Gallery 248 (c. 1890)
Ashmolean Museum, Oxford
- A View of Buildings in a Valley in the Ile-de-France (1879 - 1881)
Cleveland Museum of Art
- The Brook — 222 Impressionism & Post-Impressionism (c. 1895–1900)
- The Pigeon Tower at Bellevue — 222 Impressionism & Post-Impressionism (1890)
The Metropolitan Museum of Art, New York
- Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle — 826 (1866)
- Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, as a Monk — 823 (1866)
- Bathers — 826 (1874–75)
- Dish of Apples — 823 (ca. 1876–77)
- Gardanne — 826 (1885–86)
- Gustave Boyer (b. 1840) in a Straw Hat — 826 (1870–71)
- Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservatory — 826 (1891)
- Mont Sainte-Victoire — 823 (ca. 1902–6)
- Mont Sainte-Victoire and the Viaduct of the Arc River Valley — 826 (1882–85)
- Rocks at Fontainebleau — 826 (1890s)
- Seated Peasant — 823 (ca. 1892–96)
- Still Life with Apples and Pears — 826 (ca. 1891–92)
- Still Life with Apples and a Pot of Primroses — 826 (ca. 1890)
- Still Life with Jar, Cup, and Apples — 826 (ca. 1877)
- Still Life with a Ginger Jar and Eggplants — 826 (1893–94)
- The Card Players — 826 (1890–92)
- The Fishermen (Fantastic Scene) — 826 (ca. 1875)
- The Gulf of Marseilles Seen from L'Estaque — 826 (ca. 1885)
- The House with the Cracked Walls — 823 (1892–94)
- The Pool at Jas de Bouffan — 826 (ca. 1885–86)
- View of the Domaine Saint-Joseph — 826 (late 1880s)
MoMA, New York
- Pines and Rocks (Fontainebleau?) — "MoMA, Floor 5, 501" (c. 1897)
National Galleries of Scotland, Edinburgh
- Montagne Sainte-Victoire — National (On Display) (About 1890/95)
- The Big Trees — National (On Display) (About 1902 - 1904)
The National Gallery, London
- An Old Woman with a Rosary — Room 44 (About 1895-6)
- Avenue at Chantilly — Room 44 (1888)
- Curtain, Jug and Dish of Fruit — Room 45 (1893-4)
- Hillside in Provence — Room 44 (About 1890-2)
- Still Life with Water Jug — Room 45 (About 1892-3)
- The Grounds of the Château Noir — Room 44 (About 1900-4)
National Gallery of Art, Washington
- Antony Valabrègue — M-090 (1866)
- Banks of the Seine at Médan — M-084 (c. 1885/1890)
- Boy in a Red Waistcoat — M-011 (1888-1890)
- Château Noir — M-084 (1900/1904)
- Flowers in a Rococo Vase — M-084 (c. 1876)
- Harlequin — M-084 (1888-1890)
- House of Père Lacroix — M-082 (1873)
- Houses in Provence: The Riaux Valley near L'Estaque — M-084 (c. 1883)
- Landscape near Paris — M-084 (c. 1876)
- Louis Guillaume — M-084 (1879-1890)
- Montagne Sainte-Victoire, from near Gardanne — M-084 (c. 1887)
- Still Life with Apples and Peaches — M-084 (c. 1905)
- Still Life with Milk Jug and Fruit — EM-217-B (c. 1900)
- The Artist's Father, Reading "L'Événement" — M-090 (1866)
- The Artist's Son, Paul — M-084 (1886-1887)
- The Gardener Vallier — M-084 (1906)
- The Peppermint Bottle — M-084 (1893/1895)
Musée de l’Orangerie
- Fleurs dans un vase bleu — Salle 12 (vers 1880)
- Fleurs et fruits — Salle 12 (vers 1880)
- La Barque et les baigneurs — Salle 12 (vers 1890)
- La Barque et les baigneurs — Salle 12 (vers 1890)
Musée d’Orsay
- Achille Emperaire — Salle 11 (Saisons 2026-2027)
- Dahlias dans un grand vase de Delft — Salle 11 (Saisons 2026-2027)
- La Barque — Salle 12 (Saisons 2026-2027)
- La Femme étranglée — Salle 67 (Saisons 2026-2027)
- La Madeleine — Salle 11 (Saisons 2026-2027)
- La Maison du docteur Gachet à Auvers — Salle 11 (Saisons 2026-2027)
- La Tentation de saint Antoine — Salle 11 (Saisons 2026-2027)
- Le Christ aux limbes — Salle 11 (Saisons 2026-2027)
- Les Accessoires de Cézanne. Nature morte au médaillon de Philippe Solari — Salle 11 (Saisons 2026-2027)
- Nature morte à la bouilloire — Salle 11 (Saisons 2026-2027)
- Route de village, Auvers — Salle 67 (Saisons 2026-2027)
- Tête de vieillard (le père Rouvel à Bennecourt ?) — Salle 11 (Saisons 2026-2027)
- Une moderne Olympia — Salle 11 (Saisons 2026-2027)
Petit Palais, Paris
- Trois baigneuses — Salle 08 (Entre 1879 et 1882)
Musée Picasso, Paris
- La Mer à l'Estaque — Salle 4 (1878 - 1879)
Museo Thyssen-Bornemisza, Madrid
- Hombre sentado — Sala 41 (1905 - 1906)
Rooms and display status checked against each museum’s own collection database.
Listen to the commentary in the gallery
This list tells you where to look. In front of the actual painting, CulturAll adds the audio commentary: photograph the work or its label, listen, then ask your questions.