Renoir trained first as a porcelain painter, a trade that left him with a lasting taste for decorative colour. He exhibited with the Impressionist group from its first show in 1874, painting the dance halls, riverside restaurants and boating parties of Paris with a warmth few of his peers matched.
A trip to Italy in 1881–82 and a close look at Raphael’s frescoes pushed him toward tighter drawing and a more classical treatment of the figure — a shift he called his "Ingres period." From the 1890s, severe rheumatoid arthritis progressively crippled his hands, yet he kept painting into his last years, reportedly with a brush strapped to his fingers. He died at Cagnes-sur-Mer in 1919; his son Jean Renoir became one of French cinema’s defining directors.
Renoir paintings on display, museum by museum
The Art Institute of Chicago
- Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg) — Gallery 201 (1879)
- Alfred Sisley — Gallery 201 (1876)
- Chrysanthemums — Gallery 201 (1881–82)
- Fruits of the Midi — Gallery 201 (1881)
- Jean Renoir Sewing — Gallery 201 (1899–1900)
- Lucie Berard (Child in White) — Gallery 201 (1883)
- Seascape — Gallery 201 (1879)
- The Laundress — Gallery 201 (1877–79)
- Two Sisters (On the Terrace) — Gallery 201 (1881)
- Woman at the Piano — Gallery 201 (1875–76)
- Young Woman Sewing — Gallery 201 (1879)
Ashmolean Museum, Oxford
- Landscape with Trees — Gallery 51 (1910 - 1915)
- The Garden at the Château des Brouillards, Montmartre — Gallery 63 (1895)
Cleveland Museum of Art
- Romaine Lacaux — 222 Impressionism & Post-Impressionism (1864)
Fitzwilliam Museum, Cambridge
- Apples and walnuts — Gallery 1
- Le grand vent — Gallery 5 (1872)
- Place Clichy — Gallery 2 (1880)
The Louvre
- La lecture — Salle 903 (4e quart du XIXe siècle (1875 - 1900))
- Portrait de femme (buste) — Salle 903 (Fin du XIXe siècle - début du XXè siècle (1875 - 1925))
- Portrait de femme assise — Salle 903 (Fin du XIXe siècle - début du XXè siècle (1875 - 1925))
The Metropolitan Museum of Art, New York
- A Road in Louveciennes — 824 (ca. 1870)
- Bouquet of Chrysanthemums — 821 (1881)
- By the Seashore — 824 (1883)
- Eugène Murer (Hyacinthe-Eugène Meunier, 1841–1906) — 821 (1877)
- Madame Georges Charpentier (Marguérite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Émile-Charles (1875–1895) — 824 (1878)
- Madame Édouard Bernier (Marie-Octavie-Stéphanie Laurens, 1838–1920) — 824 (1871)
- Marguerite-Thérèse (Margot) Berard (1874–1956) — 824 (1879)
- Nini in the Garden (Nini Lopez) — 821 (1876)
- Reclining Nude — 821 (1883)
- Still Life with Flowers and Prickly Pears — 824 (ca. 1885)
- Still Life with Peaches — 824 (1881)
- Still Life with Peaches and Grapes — 824 (1881)
- The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955) — 821 (1888)
- Tilla Durieux (Ottilie Godeffroy, 1880–1971) — 824 (1914)
- View of the Seacoast near Wargemont in Normandy — 824 (1880)
- Young Woman (La Servante) — 824 (ca. 1875)
The National Gallery, London
- Misia Sert — Room 43 (1904)
National Gallery of Art, Washington
- A Girl with a Watering Can — M-085 (1876)
- Diana — M-090 (1867)
- Girl with a Hoop — M-085 (1885)
- Mademoiselle Sicot — M-090 (1865)
- Odalisque — M-081 (1870)
- Pont Neuf, Paris — M-089 (1872)
- The Dancer — M-085 (1874)
- Woman with a Cat — M-082 (c. 1875)
- Young Spanish Woman with a Guitar — M-081 (1898)
Musée de l’Orangerie
- Baigneuse assise s'essuyant une jambe — Salle 12 (1914)
- Baigneuse aux cheveux longs — Salle 12 (vers 1895)
- Blonde à la rose — Salle 12 (entre 1915 et 1917)
- Claude Renoir en clown — Salle 12 (1909)
- Claude Renoir, jouant — Salle 12 (vers 1905)
- Femme nue couchée (Gabrielle) — Salle 12 (1906)
- Femme nue dans un paysage — Salle 12 (1883)
- Femme à la lettre — Salle 12 (entre 1890 et 1895)
- Fleurs dans un vase — Salle 12 (1898)
- Gabrielle au jardin — Salle 12 (vers 1905)
- Jeunes filles au piano — Salle 12 (vers 1892)
- Pommes et poires — Salle 12 (vers 1895)
- Portrait de deux fillettes — Salle 12 (entre 1890 et 1892)
- Pêches — Salle 12 (1881)
- Yvonne et Christine Lerolle au piano — Salle 12 (vers 1897)
Musée d’Orsay
- Colonna Romano — Salle 35 (Saisons 2026-2027)
- Danse à la campagne — Salle 32 (Saisons 2026-2027)
- Danse à la ville — Salle 32 (Saisons 2026-2027)
- Etude — Salle 30 (Saisons 2026-2027)
- Femme au jabot blanc — Salle 32 (Saisons 2026-2027)
- Fillette au chapeau de paille — Salle 35 (Saisons 2026-2027)
- Gabrielle à la rose — Salle 35 (Saisons 2026-2027)
- Glaïeuls — Salle 67 (Saisons 2026-2027)
- Grand nu — Salle 35 (Saisons 2026-2027)
- Jeune femme sur la terrasse du restaurant Fournaise — Salle 30 (Saisons 2026-2027)
- Jeune fille assise — Salle 35 (Saisons 2026-2027)
- Jeunes filles au piano — Salle 35 (Saisons 2026-2027)
- La Balançoire — Salle 30 (Saisons 2026-2027)
- La Liseuse — Salle 30 (Saisons 2026-2027)
- La Seine à Champrosay — Salle 30 (Saisons 2026-2027)
- Le Garçon au chat — Salle 18 (Saisons 2026-2027)
- Les Baigneuses — Salle 35 (Saisons 2026-2027)
- Madame Alphonse Daudet — Salle 10 (Saisons 2026-2027)
- Madame Georges Hartmann — Salle 7 (Saisons 2026-2027)
- Marine, Guernesey — Salle 67 (Saisons 2026-2027)
- Nu couché, vu de dos — Salle 35 (Saisons 2026-2027)
- Paysage algérien, le ravin de la femme sauvage — Salle 32 (Saisons 2026-2027)
- William Sisley — Galerie Seine (Saisons 2026-2027)
Petit Palais, Paris
- Pêche et raisins — Salle 09 (Vers 1914)
Musée Picasso, Paris
- Mythologie, personnages de tragédie antique — Salle 7 (1895)
Museo Thyssen-Bornemisza, Madrid
- Campo de trigo — Sala D (1879)
Rooms and display status checked against each museum’s own collection database.
Listen to the commentary in the gallery
This list tells you where to look. In front of the actual painting, CulturAll adds the audio commentary: photograph the work or its label, listen, then ask your questions.