Gauguin worked as a stockbroker in Paris through the 1870s, painting on the side, before giving up finance entirely in 1883 to paint full-time. From 1886 he spent long stretches in Pont-Aven, Brittany, developing Synthetism — bold outlines and flat, non-naturalistic color inspired partly by his own rejection of Impressionism’s focus on optical effect.
In 1888 he lived and worked with Vincent van Gogh in Arles for two months, a collaboration that ended the night van Gogh injured his own ear following an argument between them. Gauguin left France for Tahiti in 1891, seeking subjects and a way of life he considered more "primitive," and spent most of his remaining years in French Polynesia, where he died in the Marquesas Islands in 1903.
Gauguin paintings on display, museum by museum
The Art Institute of Chicago
- Arlésiennes (Mistral) — Gallery 241 (1888)
- Mahana no atua (Day of the God) — Gallery 247 (1894)
- Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana) — Gallery 247 (1893)
- No te aha oe riri (Why Are You Angry?) — Gallery 247 (1896)
- Polynesian Woman with Children — Gallery 247 (1901)
- Still Life: Wood Tankard and Metal Pitcher — Gallery 241 (1880)
- Te burao (The Hibiscus Tree) — Gallery 247 (1892)
- Te raau rahi (The Big Tree) — Gallery 247 (1891)
Cleveland Museum of Art
- The Call — 222 Impressionism & Post-Impressionism (1902)
The Metropolitan Museum of Art, New York
- A Farm in Brittany — 825 (ca. 1894)
- Ia Orana Maria (Hail Mary) — 825 (1891)
- Still Life with Teapot and Fruit — 822 (1896)
- Tahitian Landscape — 825 (1892)
- The Siesta — 822 (ca. 1892–94)
- Three Tahitian Women — 822 (1896)
- Two Women — 822 (1901 or 1902)
MoMA, New York
- Still Life with Three Puppies — "MoMA, Floor 5, 501" (1888)
National Galleries of Scotland, Edinburgh
- Martinique Landscape — National (On Display) (1887)
- Three Tahitians — National (On Display) (1899)
- Vision of the Sermon (Jacob Wrestling with the Angel) — National (On Display) (1888)
The National Gallery, London
- A Vase of Flowers — Room 43 (1896)
- Bowl of Fruit and Tankard before a Window — Room 43 (Probably 1890)
- Harvest: Le Pouldu — Room 43 (1890)
National Gallery of Art, Washington
- Breton Girls Dancing, Pont-Aven — M-083 (1888)
- Fatata te Miti (By the Sea) — M-083 (1892)
- Madame Alexandre Kohler — G-005 (1887/1888)
- Parau na te Varua ino (Words of the Devil) — M-083 (1892)
- Self-Portrait — M-083 (1889)
- Te Pape Nave Nave (Delectable Waters) — M-083 (1898)
Musée d’Orsay
- Arearea — Galerie Françoise Cachin (Saisons 2026-2027)
- Et l'or de leur corps — Galerie Françoise Cachin (Saisons 2026-2027)
- La Seine au pont d'Iéna. Temps de neige — Salle 31 (Saisons 2026-2027)
- Le Cheval blanc — Galerie Françoise Cachin (Saisons 2026-2027)
- Les Alyscamps — Galerie Françoise Cachin (Saisons 2026-2027)
- Marine avec vache — Galerie Françoise Cachin (Saisons 2026-2027)
- Motifs floraux et végétaux — Galerie Françoise Cachin (Saisons 2026-2027)
- Portrait de l'artiste (recto) ; Portrait de William Molard (verso) — Galerie Françoise Cachin (Saisons 2026-2027)
- Tahitienne dans un paysage — Galerie Françoise Cachin (Saisons 2026-2027)
- Vairumati — Galerie Françoise Cachin (Saisons 2026-2027)
Museo Thyssen-Bornemisza, Madrid
- Cabeza de muchacha — Sala F (1893 - 1894)
- Calle de Ruán — Sala 33 (1884)
- En el gallinero — Sala F (hacia 1878)
- Hoguera junto a una ría — Sala F (1886)
- Idas y venidas, Martinica — Sala F (1887)
- La calle Jouvenet en Ruán — Sala F (1884)
- Lilas — Sala F (1885)
- Mata Mua (Erase una vez) — Sala F (1892)
- Perros corriendo en el prado — Sala F (1888)
- Un huerto bajo la iglesia de Bihorel — Sala F (1884)
Rooms and display status checked against each museum’s own collection database.
Listen to the commentary in the gallery
This list tells you where to look. In front of the actual painting, CulturAll adds the audio commentary: photograph the work or its label, listen, then ask your questions.