Born in Ornans, in eastern France, Courbet rejected the idealised subjects of academic art in favour of unglamorous rural and working-class scenes, painted at a monumental size that scandalised critics used to seeing such treatment reserved for kings and saints. He was also a committed political radical.
In 1871 he joined the revolutionary Paris Commune and played a public role in tearing down the Vendôme Column, a monument to Napoleonic military glory. When the Commune fell, he was imprisoned for six months and later held personally liable for the column’s reconstruction — a debt of over 300,000 francs he could never hope to pay. Facing the seizure of his property, he fled to Switzerland in 1873 and died there, in La Tour-de-Peilz, in 1877.
Courbet paintings on display, museum by museum
The Art Institute of Chicago
- Mère Grégoire — Gallery 222 (1855, reworked 1857–59)
- Rêverie (Portrait of Gabrielle Borreau) — Gallery 222 (1862)
- The Rock of Hautepierre — Gallery 222 (c. 1869)
- The Valley of Les Puits-Noir — Gallery 222 (1868)
Cleveland Museum of Art
- Mme L . . . (Laure Borreau) — 222 Impressionism & Post-Impressionism (1863)
- Panoramic View of the Alps, Les Dents du Midi — 220 19th Century European (1877)
Fitzwilliam Museum, Cambridge
- The Charente at Port-Bertaud — Gallery 2 (1862)
The Metropolitan Museum of Art, New York
- After the Hunt — 810 (ca. 1859)
- Alphonse Promayet (1822–1872) — 809 (1851)
- Hunting Dogs with Dead Hare — 810 (1857)
- Jo, La Belle Irlandaise — 811 (1865–66)
- Louis Gueymard (1822–1880) as Robert le Diable — 810 (1857)
- Madame Auguste Cuoq (Mathilde Desportes, 1827–1910) — 810 (ca. 1852–57)
- Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894) — 810 (1858)
- Monsieur Suisse — 809 (1861)
- Nude with Flowering Branch — 811 (1863)
- Study of a Nude Man — 809 (early 1840s)
- The Calm Sea — 812 (1869)
- The Fishing Boat — 812 (1865)
- The Source — 811 (1862)
- The Source of the Loue — 812 (1864)
- The Woman in the Waves — 811 (1868)
- The Young Bather — 811 (1866)
- View of Ornans — 810 (probably mid-1850s)
- Woman in a Riding Habit (L'Amazone) — 810 (ca. 1855–59)
- Woman with a Parrot — 811 (1866)
- Young Ladies of the Village — 812 (1851–52)
National Galleries of Scotland, Edinburgh
- The Wave — National (On Display) (1869)
The National Gallery, London
- Still Life with Apples and a Pomegranate — Room 41 (1871-2)
- View of Lac Léman — Room 41 (1874)
National Gallery of Art, Washington
- A Young Woman Reading — M-090 (c. 1866/1868)
- Calm Sea — M-092 (1866)
- La Grotte de la Loue — M-093 (1864)
- The Black Rocks at Trouville — M-092 (1865/1866)
Musée d’Orsay
- Branche de pommier en fleurs — Salle 67 (Saisons 2026-2027)
- Hector Berlioz — Salle 6 (Saisons 2026-2027)
- Jules-Antoine Castagnary — Salle 6 (Saisons 2026-2027)
- L'Atelier du peintre — Salle 7 (Saisons 2026-2027)
- L'Homme blessé — Salle 6 (Saisons 2026-2027)
- La Falaise d'Etretat après l'orage — Salle 6 (Saisons 2026-2027)
- La Mer orageuse — Salle 6 (Saisons 2026-2027)
- La Source — Salle 6 (Saisons 2026-2027)
- La Truite — Salle 6 (Saisons 2026-2027)
- Le Rut du printemps. Combat de cerfs — Galerie Seine (Saisons 2026-2027)
- Portrait de Champfleury — Salle 6 (Saisons 2026-2027)
- Remise de cerfs au crépuscule — Galerie Seine (Saisons 2026-2027)
- Remise de chevreuils au ruisseau de Plaisir-Fontaine — Salle 6 (Saisons 2026-2027)
- Un enterrement à Ornans — Salle 7 (Saisons 2026-2027)
- «Autoportrait de l'artiste», dit aussi «Désespoir», ou encore «Le Désespéré» — Salle 4 (Saisons 2026-2027)
Petit Palais, Paris
- Autoportrait dit Courbet au chien noir — Salle 05 (Entre 1842 et 1844)
- Grappe de raisins — Salle 05 (En 1871)
- La Sieste pendant la saison des foins — Salle 04 (Entre 1867 et 1868)
- Le Sommeil — Salle 05 (En 1866)
- Les demoiselles des bords de la Seine (été) — Salle 05 (En 1857)
- Pierre-Joseph Proudhon et ses enfants en 1853 — Salle 05 (En 1865)
- Pompiers courant à un incendie — Salle 05 (Entre 1850 et 1851)
- Portrait de Monsieur Corbinaud — Salle 05 (En 1863)
- Portrait de Zélie Courbet — Salle 05 (Vers 1842)
- Trois baigneuses — Salle 05 (Entre 1865 et 1869)
Museo Thyssen-Bornemisza, Madrid
- Los hijos del pescador — Sala C (1867)
Rooms and display status checked against each museum’s own collection database.
Listen to the commentary in the gallery
This list tells you where to look. In front of the actual painting, CulturAll adds the audio commentary: photograph the work or its label, listen, then ask your questions.