Manet trained in the traditional academic manner but painted contemporary Parisian life with a flat, unidealized directness that repeatedly shocked Salon audiences. Le Déjeuner sur l’herbe, rejected by the official Salon jury in 1863, was shown instead at the resulting Salon des Refusés; two years later Olympia — a frank, unflinching nude modelled on Victorine Meurent — was accepted into the official Salon itself and caused an even greater uproar for its cool, appraising directness.
Though younger painters like Monet and Degas treated him as a leader, Manet kept exhibiting at the official Salon rather than joining the independent Impressionist shows. He died in Paris in 1883 of complications from syphilis contracted years earlier, having had a leg amputated eleven days before his death. Olympia entered the French national collection in 1890 after Monet organised a public subscription to buy it.
Manet paintings on display, museum by museum
The Art Institute of Chicago
- Beggar with Oysters (Philosopher) — Gallery 222 (1865–67)
- Beggar with a Duffle Coat (Philosopher) — Gallery 222 (1865–67)
- Boy with Pitcher (La Régalade) — Gallery 222 (1862–72)
- Bullfight — Gallery 225 (1865–66)
- Jesus Mocked by the Soldiers — Gallery 222 (1865)
- Sea View, Calm Weather (Vue de mer, temps calme) — Gallery 225 (1864)
- The Races at Longchamp — Gallery 225 (1866)
- Woman Reading — Gallery 201 (1880–82)
Ashmolean Museum, Oxford
- A Basket of Pears — Gallery 63 (1882)
- A Garden Urn — Gallery 63 (1879)
The Louvre
- La Vierge au lapin — Salle 711 (Milieu du XIXe siècle (1840 - 1860))
The Metropolitan Museum of Art, New York
- A Matador — 810 (1866–67)
- Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue — 821 (1880)
- Mademoiselle V. . . in the Costume of an Espada — 810 (1862)
- The Brioche — 810 (1870)
- The Funeral — 810 (ca. 1867)
- Young Man in the Costume of a Majo — 810 (1863)
The National Gallery, London
- Corner of a Café-Concert — Room 41 (Probably 1878-80)
- Music in the Tuileries Gardens — Room 41 (1862)
- The Execution of Maximilian — Room 41 (About 1867-8)
- Woman with a Cat — Room 43 (About 1880-2)
National Gallery of Art, Washington
- A King Charles Spaniel — M-090 (c. 1866)
- George Moore in the Artist's Garden — M-087 (c. 1879)
- Masked Ball at the Opera — M-089 (1873)
- Plum Brandy — M-089 (c. 1877)
- The Dead Toreador — M-090 (probably 1864)
- The Old Musician — M-089 (1862)
- The Railway — M-089 (1873)
- The Tragic Actor (Rouvière as Hamlet) — M-090 (1866)
Musée d’Orsay
- Berthe Morisot à l'éventail — Salle 29 (Saisons 2026-2027)
- Combat de taureaux — Salle 14 (Saisons 2026-2027)
- Emile Zola — Salle 14 (Saisons 2026-2027)
- La Blonde aux seins nus — Salle 29 (Saisons 2026-2027)
- La Dame aux éventails — Salle 31 (Saisons 2026-2027)
- La Lecture — Salle 14 (Saisons 2026-2027)
- Le Balcon — Salle 12 (Saisons 2026-2027)
- Le Déjeuner sur l'herbe — Salle 29 (Saisons 2026-2027)
- Le Fifre — Salle 14 (Saisons 2026-2027)
- Lola de Valence — Salle 14 (Saisons 2026-2027)
- Monsieur et Madame Auguste Manet — Salle 14 (Saisons 2026-2027)
- Nature morte : fruits sur une table — Salle 29 (Saisons 2026-2027)
- Olympia — Salle 14 (Saisons 2026-2027)
- Stéphane Mallarmé — Salle 31 (Saisons 2026-2027)
- Une dame à sa fenêtre (étude) — Salle 14 (Saisons 2026-2027)
- Vase de pivoines sur piédouche — Salle 29 (Saisons 2026-2027)
Petit Palais, Paris
- Portrait de Théodore Duret — Hall Girault (En 1868)
Museo Thyssen-Bornemisza, Madrid
- Amazona de frente — Sala 33 (hacia 1882)
Rooms and display status checked against each museum’s own collection database.
Listen to the commentary in the gallery
This list tells you where to look. In front of the actual painting, CulturAll adds the audio commentary: photograph the work or its label, listen, then ask your questions.