Monet showed Impression, soleil levant at the independent exhibition of 1874; a hostile critic mocked the title, and the word "Impressionism" stuck to the whole group. He had already spent years painting outdoors directly from the motif rather than finishing works in a studio, chasing the exact light of a single moment.
From the 1890s he worked increasingly in series — the same haystacks, the same Rouen Cathedral façade, painted again and again at different hours and seasons to capture how light alone could change a subject. He settled at Giverny in 1883, built the water-lily pond that would occupy his final decades, and painted there until his death in 1926.
Monet paintings on display, museum by museum
The Art Institute of Chicago
- Apples and Grapes — Gallery 201 (1880)
- Boats on the Beach at Étretat — Gallery 240 (1885)
- Bordighera — Gallery 240 (1884)
- Branch of the Seine near Giverny (Mist) — Gallery 243 (1897)
- Charing Cross Bridge, London — Gallery 243 (1901)
- Cliff Walk at Pourville — Gallery 240 (1882)
- Houses of Parliament, London — Gallery 243 (1900–1)
- Irises — Gallery 243 (1914–17)
- On the Bank of the Seine, Bennecourt — Gallery 201 (1868)
- Poppy Field (Giverny) — Gallery 240 (1890–91)
- Rocks at Port-Goulphar, Belle-Île — Gallery 240 (1886)
- Stack of Wheat — Gallery 243 (1890–91)
- Stack of Wheat (Snow Effect, Overcast Day) — Gallery 243 (1890–91)
- Stack of Wheat (Thaw, Sunset) — Gallery 243 (1890–91)
- Stacks of Wheat (End of Day, Autumn) — Gallery 243 (1890–91)
- Stacks of Wheat (End of Summer) — Gallery 243 (1890–91)
- Stacks of Wheat (Sunset, Snow Effect) — Gallery 243 (1890–91)
- The Artist's House at Argenteuil — Gallery 201 (1873)
- The Beach at Sainte-Adresse — Gallery 225 (1867)
- The Departure of the Boats, Étretat — Gallery 240 (1885)
- The Petite Creuse River — Gallery 240 (1889)
- Venice, Palazzo Dario — Gallery 243 (1908)
- Vétheuil — Gallery 243 (1901)
- Vétheuil — Gallery 243 (1901)
- Water Lilies — Gallery 243 (1906)
- Water Lily Pond — Gallery 243 (1900)
- Water Lily Pond — Gallery 243 (1917–19)
- Waterloo Bridge, Gray Weather — Gallery 243 (1900)
- Waterloo Bridge, Sunlight Effect — Gallery 243 (1903)
Ashmolean Museum, Oxford
- A Windmill at Zaandam — Gallery 63 (1871)
Cleveland Museum of Art
- The Red Kerchief — 222 Impressionism & Post-Impressionism (c. 1868–73)
- Water Lilies (Agapanthus) — 222 Impressionism & Post-Impressionism (c. 1915–26)
Fitzwilliam Museum, Cambridge
- Poplars — Gallery 5 (1891)
- Rocks at Port-Coton, the Lion Rock, Belle Ile — Gallery 5 (1886)
- Springtime — Gallery 5 (1886)
The Louvre
- Environs de Honfleur. Neige. — Salle 903 (3e quart du XIXe siècle (1867))
- Glaçons à Bougival — Salle 903 (3e quart du XIXe siècle (1850 - 1875))
- La débâcle près de Vétheuil — Salle 903 (4e quart du XIXe siècle (1880))
The Metropolitan Museum of Art, New York
- Apples and Grapes — 818 (1879–80)
- Bouquet of Sunflowers — 819 (1881)
- Bridge over a Pond of Water Lilies — 819 (1899)
- Camille Monet (1847–1879) in the Garden at Argenteuil — 821 (1876)
- Camille Monet (1847–1879) on a Garden Bench — 821 (1873)
- Chrysanthemums — 819 (1882)
- Garden at Sainte-Adresse — 818 (1867)
- Haystacks (Effect of Snow and Sun) — 819 (1891)
- Houses on the Achterzaan — 957 (1871)
- La Grenouillère — 818 (1869)
- Landscape: The Parc Monceau — 818 (1876)
- Morning on the Seine near Giverny — 819 (1897)
- Poppy Fields near Argenteuil — 821 (1875)
- Regatta at Sainte-Adresse — 818 (1867)
- Rouen Cathedral: The Portal (Sunlight) — 819 (1894)
- Spring (Fruit Trees in Bloom) — 818 (1873)
- The Bodmer Oak, Fontainebleau Forest — 818 (1865)
- The Four Trees — 819 (1891)
- The Green Wave — 818 (ca. 1866–67)
- The Manneporte (Étretat) — 819 (1883)
- The Manneporte near Étretat — 819 (1886)
- The Parc Monceau — 818 (1878)
- The Path through the Irises — 822 (1914–17)
- The Seine at Vétheuil — 818 (1880)
- The Stroller (Suzanne Hoschedé, later Mrs. Theodore Earl Butler, 1868–1899) — 821 (1887)
- View of Vétheuil — 818 (1880)
- Vétheuil in Summer — 818 (1880)
- Water Lilies — 819 (1916–19)
- Water Lilies — 822 (1919)
- Île aux Fleurs near Vétheuil — 818 (1880)
MoMA, New York
- Agapanthus — "MoMA, Floor 5, 515" (1914-26)
- Water Lilies — "MoMA, Floor 5, 515" (1914-26)
- Water Lilies — "MoMA, Floor 5, 515" (1914-26)
National Galleries of Scotland, Edinburgh
- Poplars on the Epte — National (On Display) (1891)
- The Church at Vétheuil — National (On Display) (1878)
The National Gallery, London
- Bathers at La Grenouillère — Room 41 (1869)
- Grainstack (Sunset: winter) — Room 46 (1890-1)
- Irises — Room 46 (About 1914-17)
- Lavacourt under Snow — Room 41 (About 1878-81)
- Snow Scene at Argenteuil — Room 41 (1875)
- Still Life — Room 41 (About 1869)
- The Thames below Westminster — Room 41 (About 1871)
- The Water-Lily Pond — Room 46 (1899)
- Water-Lilies — Room 46 (After 1916)
- Water-Lilies, Setting Sun — Room 46 (About 1907)
- Water-lilies — Room 46 (1917)
National Gallery of Art, Washington
- Banks of the Seine, Vétheuil — M-080 (1880)
- Interior, after Dinner — M-086 (1868/1869)
- Jerusalem Artichoke Flowers — M-080 (1880)
- Palazzo da Mula, Venice — M-080 (1908)
- Rouen Cathedral, West Façade — M-080 (1894)
- Rouen Cathedral, West Façade, Sunlight — M-080 (1894)
- Ships Riding on the Seine at Rouen — M-087 (1872/1873)
- The Artist's Garden at Vétheuil — M-085 (1881)
- The Artist's Garden in Argenteuil (A Corner of the Garden with Dahlias) — M-082 (1873)
- The Bridge at Argenteuil — M-085 (1874)
- The Houses of Parliament, Sunset — EM-217-B (1903)
- The Japanese Footbridge — M-085 (1899)
- The Seine at Giverny — M-080 (1897)
- Waterloo Bridge, Gray Day — M-080 (1903)
- Waterloo Bridge, London, at Dusk — M-080 (1904)
- Waterloo Bridge, London, at Sunset — M-080 (1904)
- Woman with a Parasol - Madame Monet and Her Son — M-085 (1875)
Musée de l’Orangerie
- Le Matin aux saules — Salle 03 (entre 1914 et 1926)
- Le Matin clair aux saules — Salle 03 (entre 1914 et 1926)
- Les Deux Saules — Salle 03 (entre 1914 et 1926)
- Les Nuages — Salle 02 (entre 1914 et 1926)
- Matin — Salle 02 (entre 1914 et 1926)
- Reflets d'arbres — Salle 03 (entre 1914 et 1926)
- Reflets verts — Salle 02 (entre 1914 et 1926)
- Soleil couchant — Salle 02 (entre 1914 et 1926)
Musée d’Orsay
- Bras de Seine près de Giverny — Salle 34 (Saisons 2026-2027)
- Carrières-Saint-Denis — Salle 29 (Saisons 2026-2027)
- Coin d'atelier — Salle 18 (Saisons 2026-2027)
- Coquelicots — Salle 29 (Saisons 2026-2027)
- Effet de vent, série des peupliers — Salle 34 (Saisons 2026-2027)
- Eglise de Vétheuil — Salle 67 (Saisons 2026-2027)
- Etretat : la plage et la porte d'Amont — Salle 32 (Saisons 2026-2027)
- Femmes au jardin — Salle 18 (Saisons 2026-2027)
- Grosse mer à Etretat — Salle 29 (Saisons 2026-2027)
- Intérieur d'appartement — Salle 30 (Saisons 2026-2027)
- La Cathédrale de Rouen. Le Portail et la Tour Saint-Romain, effet du matin — Salle 34 (Saisons 2026-2027)
- La Cathédrale de Rouen. Le Portail et la Tour Saint-Romain, plein soleil — Salle 34 (Saisons 2026-2027)
- La Cathédrale de Rouen. Le Portail vu de face — Salle 34 (Saisons 2026-2027)
- La Cathédrale de Rouen. Le Portail, soleil matinal — Salle 34 (Saisons 2026-2027)
- La Cathédrale de Rouen. Le Portail, temps gris — Salle 34 (Saisons 2026-2027)
- La Gare Saint-Lazare — Salle 31 (Saisons 2026-2027)
- La Rue Montorgueil, à Paris. Fête du 30 juin 1878 — Salle 31 (Saisons 2026-2027)
- Le Déjeuner sur l'herbe — Salle 29 (Saisons 2026-2027)
- Le Déjeuner sur l'herbe — Salle 29 (Saisons 2026-2027)
- Le Jardin de l'artiste à Giverny — Salle 34 (Saisons 2026-2027)
- Le Mont Kolsaas en Norvège — Salle 34 (Saisons 2026-2027)
- Le Pavé de Chailly — Salle 29 (Saisons 2026-2027)
- Le Pont d'Argenteuil — Salle 32 (Saisons 2026-2027)
- Le Pont du chemin de fer à Argenteuil — Salle 29 (Saisons 2026-2027)
- Les Dindons — Salle 30 (Saisons 2026-2027)
- Les Déchargeurs de charbon — Salle 31 (Saisons 2026-2027)
- Les Villas à Bordighera — Salle 32 (Saisons 2026-2027)
- Lilas, temps gris — Salle 29 (Saisons 2026-2027)
- Londres, le Parlement. Trouée de soleil dans le brouillard — Salle 34 (Saisons 2026-2027)
- Meules, fin de l'été — Salle 34 (Saisons 2026-2027)
- Nymphéas bleus — Salle 34 (Saisons 2026-2027)
- Sur la falaise de Dieppe — Salle 34 (Saisons 2026-2027)
- Zaandam — Salle 29 (Saisons 2026-2027)
Petit Palais, Paris
- Soleil couchant sur la Seine à Lavacourt, effet d'hiver — Salle 08 (En 1880)
Museo Thyssen-Bornemisza, Madrid
- El deshielo en Vétheuil — Sala 33 (1880)
- La cabaña en Trouville, marea baja — Sala D (1881)
- La casa entre las rosas — Sala E (1925)
- Marea baja en Varengeville — Sala D (1882)
Rooms and display status checked against each museum’s own collection database.
Listen to the commentary in the gallery
This list tells you where to look. In front of the actual painting, CulturAll adds the audio commentary: photograph the work or its label, listen, then ask your questions.